One way to add excitement to your story is by adding lots of bad-guys, also known as EXTERNAL Conflict. Another way is by adding INTERNAL Conflict, more commonly known as Angst.
I'm sure most of you have noticed by now that most movie characters, and far too many book characters, are One-Dimensional. They do stuff, but they don't face any personality issues: a hang-up, a fear, paranoia, a moral code, a love interest, a strong dislike Or worse, they do have all these things, but they never really affect the story.
There's a Plot Arc, things happen, but no Character Arc. The things that happen don't affect the characters emotionally.
Where's the ANGST?
Answer these two questions:
1. What is your character's biggest character flaw?
(Think: 7 Deadly Sins.)
HOW do you make THE END?
"When will you make an end?"
- The Pope on the painting of the Sistine Chapel
"When I'm finished."
Okay, so you got this GREAT Idea for a story!
- This Great Idea...that births chapter after chaper...
- This Great Idea... that you can't seem to finish. (WTF?)
So what do you do now?
HOW do you make an End?
Fairytales and Myths were my foundational reading, so they became my base model for how a story should finish -- by ending where you began with a solution.
This doesn't mean ending a story in the location it started, or that full irrevocable transformations don't happen, but that the story ties the knot to the Emotional or Karmic place they began. -- The lost find their way, the wicked are punished, the weak become strong, monsters are faced, emotional hang-ups are dealt with, and problems are solved. What is begun - finishes.
-- Stories aren't just about characters Doing stuff, it's about cha
Tricks for Writing DESCRIPTION
------------- Original Message -----------
"I think the biggest problem I have is lack of detail. I can see things in my head, but other than the general surroundings, I'm always too intent on what my characters are thinking, or doing, or about to do to remember to add the details necessary to paint a really clear picture of where they are and their environment." -- Wanna Rite Reel Gud
The way to deal with that is by writing what you can. When you're done, go back and put in all the rest. Also, in situations like this, a beta-reader is your best bet at seeing where you skipped something.
As for What to describe and How Much to describe
Getting the IMAGE on Paper
Avoid Simple Nouns:
- Use a Specific Noun rather than a simple and vague noun to automatically pop in description.
Instead of: the door, the car, the tree, the house, the sword, the robe, the hat...
Write: the French doors, the
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I can draw people(sort of), Cats, Dogs, dragons(also sort of)
This is where my point commissions go
5- Head shot
add 5 more for each character
add 5 more for backgrounds
If wanted as speedpaint add 5 points
Just send me a Ref of your character and tell me what program to use (MS Paint or PhotoShop)